Linked Highlights:
American Craft Magazine: Emblems For Our Time 1985
Context and Collaboration for Contemporary Art: The Sculptural Program for 580 California Street. 1986
Women Artists News. Summer. Vol 13 No. 2. 1988
Bibliography: Books
Facing The Artist, John Gruen, Prestel Press, New York, 1999.
Contemporary Outdoor Sculpture, Brooke Barrie, Rockport Publications, Gloucester, MA, 1998.
Whole Cloth, Mildred Constantine and Laurel Reuter, Monacelli Press, New York, NY, 1998.
The Guild #10: The Architects Source of Artists and Artisans, Kraus Sykes Publishers, Madison, WI, 1995.
Philip Johnson: The Architect in His Own Words, Hilary Lewis and John O'Connor, Rizzoli International Publications, New York,
1994, p. 168-169.
The Guild #8: The Architects Source of Artists and Artisans, Kraus Sykes Publishers, Madison, WI, 1993.
The Fine Art Index, 1992 North American Edition, International Art Reference Inc., Chicago, IL, 1991.
Sculpture; Technique, Form and Content, Arthur Williams, Davis Publications, Worcester, MA, 1990.
Who's Who in the East, Marquis Who's Who, Macmillan Directory Division, Wilmette, IL, 1990.
The World's Who's Who Of Women Commemorative Tenth Edition, International Biographical Centre, Cambridge, England,
1990 and the 12th Winter Edition, 1993/94.
American Artists, Krantz Company Publishers, Chicago, IL, 1990.
The New York Art Review, American References Inc., Chicago, IL; Les Krantz, (4th Ed.) 1990, (3rd Ed.) 1988-89.
American Artists; An Illustrated Survey of Leading Contemporaries, American References Inc., Chicago, IL; Les Krantz, (2nd Ed.) 1989.
Dictionary of American Sculptors, Apollo Book, Poughkeepsie, NY; Glenn B. Opitz, 1989, 1984.
Who's Who in American Art, R.R. Bowker, New York, 1989, 1990, 1992.
American Artists, Krantz Co. Publishers, Chicago, IL; 1989.
Post-Modernism: The New Classicism in Art and Architecture, Charles Jenks, Rizzoli Publications, 1988.
The New York Art Review, Third Edition, American References, Inc., Chicago, IL, 1986
Who's Who in Society, American Publishers, Ft. Lauderdale, FL, 1986.
Contemporary American Women Sculptors, Virginia Watson-Jones, Oryx Press, 1986.
American Art Now, Edward Lucie-Smith, William Morrow & Company, New York, 1985.
American Artists, The Krantz Company Publishers, Inc., Chicago, IL, 1985.
International Who's Who of Contemporary Achievements, Biographical Publications, Cambridgeshire, England, 1985, 1984.
Foremost Women of the Twentieth Century, Biographical Publications, Cambridgeshire, England, 1985.
Biography International, South Asia Publishing Company, Delhi, India, 1985.
Dictionary of International Biography, International Biographical Centre, Cambridge, England, 1993/94, 1985.
Dictionary of Distinguished Americans,Third Edition, American Biographical Institute, Inc., Raleigh, NC,1984.
Who's Who in the East, 20th Edition, Marquis Who's Who Inc., Chicago, IL, 1984.
International Directory of Arts, Marquis Who's Who Inc., Chicago, IL, 1981.
The World's Who's Who of Women, International Biographical Centre, Cambridge, England, Autumn, 1981.
Who's Who in American Art, Jacques Cattell Press, Tempe, AZ, 1980.
Contemporary International Artists, St. James Press, 1977.
From the Center: Feminist Essays on Women's Art, Lucy R. Lippard, E.P. Dutton, New York, 1976, p.58.
Women Artists in America, Book II, Jim Collins, 1975.
Women in the Year 2000, Maggie Tripp, 1974.
Documentary Herstory of Women Artists, “Muriel Castanis”, 1971.
Bibliography: Catalogues
Re-Cast: Postmodern Classical, Olympic Tower Public Atrium, New York, NY; Curated by City College of New York, 2002.
Contemporary Classicism, Neuberger Museum of Art, Purchase College, SUNY, Purchase, NY, 1999.
Art En Route: Guide to Art in the MTA Network, New York, NY, 1998.
Crossing The Threshold, Steinbaum Krauss Gallery, New York, NY, 1997.
In Three Dimensions: Women Sculptors of the '90's, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center,
Staten Island, NY; Introduction: Olivia Georgia, 1995.
The Outer Layer, New Jersey Center For Visual Arts, Summit, NJ; Essay: Sharon Gill, 1995.
New Art In An Old City/2, Virlane Foundation and K&B Corporation Collections, Essay: Edward Lucie-Smith, New Orleans, LA, 1994
Art En Route: MTA Arts For Transit, PaineWebber Art Gallery, New York, NY and The Museums at Stony Brook, Stony Brook, NY; 1994.
USA Today In Fiber Art, Netherlands Textile Museum, Tilburg, Netherlands; Preface: Caroline Boot, 1993.
Art At Gateway Center; Second Annual Sculpture Exhibit, The Prudential Art Program, Newark, NJ, 1991.
New Art In An Old City, The Virlane Foundation and The K&B Corporation Collections, New Orleans, LA.
Alice, And Look Who Else, Through The Looking Glass, Bernice Steinbaum Gallery, New York, NY;
Essays: John Perrault, Bernice Steinbaum, 1988. Library of Congress #: 88-063138.
Architectural Art: Affirming the Design Relationship, American Craft Museum, New York, NY; Commentary: Robert Jensen, 1988.
Frontiers in Fiber: The Americans, North Dakota Museum of Art, Grand Forks, ND; Introduction: Mildred Constantine, Laurel Reuter, 1988.
Contemporary Sculpture from Florida Collections, University Gallery, College of Fine Arts, University of Florida, Gainesville, FL;
Ruth K. Beesch, Stacia F. Payne, 1987.
Standing Ground, Sculpture by Women Artists, The Contemporary Arts Center, Cincinnati, OH; Introduction: Sarah Rogers-Lafferty, 1987.
Romanticism & Classicism, QCC Art Gallery, Queensborough Community College of the City University of New York, Bayside, NY;
Introduction: Lenore Malen, 1987.6
Contemporary Sculpture from the Martin Z Margulies Collection, Grove Isle, Coconut Grove, FL, Introduction: Paula Harper, 1986.
Context and Collaboration for Contemporary Art: The Sculptural Program for 580 California Street, Trout Gallery, Dickinson College,
Carlisle, PA; David Robertson, 1986.
The Classic Tradition in Recent Painting and Sculpture, Aldrich Museum of Contemporary Art, Ridgefield, CT; Introduction: Larry Aldrich, 1985.
The David Bermant Collection: Color, Light,Motion, Wadsworth Atheneum, Hartford, CT; Introduction: Tracy Atkinson, 1984.
Material Illusion/Unlikely Material, Taft Museum, Cincinnati, OH; Introduction: Heather Hallenberg, 1983.
Wave Hill Tableaux, Library of Congress, Catalog # :81-51296.
Expressions of Self: Women and Autobiography, Douglass College Art Gallery, Rutgers University, New Brunswick, NJ; Foreword: Joan N. Marter, 1979.
Oral History, Archives of American Art, Dolores Holmes, 1971.
Bibliography: Periodicals
CAA News, (Vol.32, No.2),”Obituaries: Muriel Castanis”, March 2007, p.29.
Time Out New York, “To the trained eye”, Tienion Ho, July 12-15, 2001, p.68.
Traditional Home, (photo), March 2001, p.63.
Weekly Planet, “Drawing on the Past”, December 12, 1999.
Tampa Tribune, “History’s Lesson”, Joanne Milani, November 28, 1999, p.14.
New York Times, “Contemporary Tribute to Classical Past”, William Zimmer, May 2, 1999, p.22.
Women’s News, “Classical Renaissance at the Neuberger”, Jena Butterfield, April 1999.
The Guide (The Advocate), “Contemporary Classicism: now, that’s classic”, Carole Ross, March 12, 1999, p.1,10.;
Advocate and Greenwich Time, March 7, 1999, p.D1-2.
Journal News, “Classical Muse”, Georgette Gouveia, March 1, 1999, p.E1-2.
Museletter, (Quarterly Newsletter) Brevard Museum of Art and Science, Melbourne, FL, July-August 1998, cover photograph.
The World Of Interiors “Leone’s Den”, (photograph), November 1997, p.157.
Veranda Magazine, “At Rest: Palm Beach Showhouse”, Spring 1997.
Florida Design, (Vol. 6, No.1), “Palm Beach Showhouse", Diane Benson Harrington, 1997, p.197.
Palm Beach Life, “The Art of Investing", Chris Hunter, February 1997, (photo) p.117.
Interior Design Magazine, "Kips Bay '95: Charles Spada", September 1995, p.S5.
Fiberarts, "Gallery: Muriel Castanis: Discovering Form Through Fiber", Jessica Scarborough, November/December 1992, p.12.
GeorgIa Trend, "The Corporate Collector”, Ken Hawkins, July 1992.
Palm Beach Life, "Accounting For Taste", Michael Gaeta, (photograph), February 1991, p.60.
Dialogue, (Arts in the Midwest), "Review: 'Alice Through the Looking Glass', Ft. Wayne, IN", Mary Ann Sullivan, January/February 1991, p 23,24.
Architectural Digest, "In Tuxedo Park; Fanciful Themes Enrich a Designer's New York Dream House", John Taylor, July 1990, p.130-137.
Hong Kong Arts Centre, "Frontiers In Fiber: The Americans", (Photograph), 5-6 1990.
Gallerie: Women's Art, (North Vancouver, B.C.) "Women Artists Tell Their Own Stories: Muriel Castanis", 1989 Annual, p.45-48.
Sogetsu Special Issue Autumn 1989, (Photographs), Ikebana Sogetsu, Sogetsu Shuppan Inc.,Tokyo, Japan, 1989.
Sculpture Review, (Vol.37, No.3), "Highlights", "Once Again", Fritz Cleary; 3rd Quarter, 1988, Cover Photograph, p.5, 13.
MD Magazine, "On The House", Paula S. Rackow, August 1988, p.85-87.
Spotlight, "Art & Artists " July 1988, p.84.
Women Artists News, “Muriel Castanis: Cinderella of the Furies”, Judy Siegel, Summer 1988, p.3-4.
Stroll, "Urban Ornamentalism", Lise Prown, June 1988, p.80-82.7
Artnews, "Design: American Craft Museum; Design Into Art", Peter Carlsen, May 1988, p.61.
Art New England, "Collaboration: Art and Architecture", Carl Little, May 1988, p.16-17.
Designers West, "Haworth, Inc. Sponsors Architectural Art Exhibit", May 1988.
Dialogue, (photograph), April/May 1988.
Maine Antique Digest, "New York: The Armory Show of 1988", (photograph), April 1988, p.9-C.
Art & Antiques, "Openings: Depth Of Field", February 1988, p.24.
Palm Beach Life, "Gallery Guide", (photograph), February 1988, p.117.
Art Talk, "New York? New York!", Ruth Bass, December 1987, p.27.
Women Artists News, (Vol.12, No.1), "Muriel Castanis: Fiberglassing The Classics", Kristin Staroba,
February/March 1987, p.20, 21.
Women Artists News, photograph, Winter 1986, p.35.
Art in America 1985-86 Annual Guide to Galleries, Museums, Artists, "1984 in Review: Public Art", Annual 1985- 86, p.43.
American Craft Magazine, "Emblems For Our Time", Carlo M. Lamagna, April/May 1985, p.38-41
San Francisco Magazine, (Vol.26,No.12), "Bay Currents: Silent Sentinels", Wendy Weinberg, December 1984; (photograph: p.10-1l), p.11-12
Art Express, Ronald J. Onoroto, November/December 1981.
New York Magazine, “At the Still Point”, Kay Larson, June 29, 1981.
Art News, "Women Artists '80", Grace Glueck, 1980.
New Yorker, "Galleries: SoHo", October 20, 1980.
Women Artists News, May 1979.
Women Artists News, Shirley Fuerst, April 1979.
Arts Magazine, Joan Marter, April 1978.
Heresies, Muriel Castanis, April 1978.
Art/World, "Tiffany Award Winner", January/February 1977, p.11.
New Yorker, April 18, 1977.
Arts Magazine, Joseph Dreiss, February 1975.
Craft Horizons, Ann Weber, February 1975.
Kunst Forum International, (Germany), LII Picard, December/January 1975.
Art Spectrum, Carter Ratcliff, January 1975.
Ms. Magazine, "Household Imagery", Lucy Lippard, March 1973.
Changes, "Twelve Women Artists Discuss Eroticism", Julie Lomoe, 1973.
American Artist, "Women in Art", Diane Cochrane, December 1972.
Ms. Magazine, "Ms on Arts", Cindy Nemser, October 1972.
Arts Magazine, Ellen Lubell, September/October 1972.
Women & Art, "History in the Making", Muriel Castanis, September 1972.
Feminist Art Journal, "Brooklyn Museum", Pat Mainardi, April 1972.
Art News, Bill Beckley, January 1972.
Pictures on Exhibit, Gerald E. Scoefield, January 1972.
Art News, Jane Gollin June 1968.
Pictures on Exhibit, Beatrice Dam, June 1968.
Arts Magazine, Gordon Brown, June 1968.
Bibliography: Newspapers
Washington Post, (weekend edition), "Religious Art Festival", April 14, 2000.
New York Times, “Contemporary Tribute to Classical Past”, William Zimmer, May 2, 1999, p.22.
Lawrence Journal-World, (Lawrence, KS)” Arts and Living: Crossing the Threshold Exhibition gives older women artists their due”,
(photograph), Jan Biles, August 30, 1998.
Florida Today, “Castanis’ art soars in ‘Euphoria’”, Pam Harbaugh, July 11, 1998.8
New York Times, “Next Stop, Murals: Change Here For Uptown Sculpture”, David W. Dunlap, May 1, 1998, p.E.37, 52.
The Times (N.J.), “A new group of `31 Women’”, Janet Purcell, April 3, 1998, p.F20.
Time Off, (Central N.J.Weekly Guide), “Women for Art’s Sake”, Derek Beres, March 20, 1998, p.3-4.
The Signal, (College of N.J. Student Newspaper), “Art show `crosses the threshold’”, Aspasia Kotsianas, March 10, 1998, p.1.
U.S.1 Preview, (N.J.), “Crossing the Arts Threshold”, Nicole Plett, March 4, 1998.
Syracuse Herald American, “Art: `Crossing the Threshold’ of age and gender”, Sherry Chayat, January 25, 1998, p.16.
Syracuse New Times, “Art: You Go, Girls”, Alis Wintle Sefick, January 21-28, 1998.
Sunday Star-Ledger, "Watch and wear: clothing as visual art", Eileen Watkins, December 17, 1995, p.14. Village Voice, "Art",
Jan Avgikos, August 8, 1995.
Antiques and The Arts Weekly, "View 'Art en Route' Through New York's Mass Transit", July 15, 1994.
Sunday Star-Ledger, "Art: Newark exhibition explores mysteries of inner self interacting with outer world", Eileen Watkins, April 17, 1994.
Art Matters, (Jenkintown, PA), "Exhibitions In Sight: Grounds for Sculpture", Burton Wasserman, February 1994, p.7.
Star-Ledger, "Art", Eileen Watkins, September 3, 1993.
The Times, (Trenton, NJ), "Art blooms in sculpture garden", Cathy Viksjo, August 9, 1992, p.CI.
Cobb Extra, (Georgia), "A towering tribute", Rebecca Nash, July 23, 1992.
Atlanta Journal Atlanta Constitution, "Developer pays tribute to the American Indian", Maria Saporta, July 21, 1992.
Marietta Daily Journal, (Marietta, GA), "Figure in bronze", July 17, 1992.
Time Off (NJ), "Figures On The Landscape", Wendy Heisler, July 17, 1992, p.16.
Daily News, (Atlanta, GA), "A piece of history" (photograph), July 16, 1992.
New York Times, (N.J. Edition), "Outdoor Home for Sculpture", Vivien Raynor, July 12, 1992, p.12.
Philadelphia Inquirer, "A sculpture park is taking root at Johnson Atelier near Trenton", Edward J. Sozanski, July 9, 1992, p.D3.
Atlanta Business Chronicle, "Indian spirits inspire Tom Cousins", David Allison, July 3-9, 1992, p.2B.
Detroit News, "Exhibits: Muriel Castanis", Joy Hakanson Colby, June 12, 1992, p.2D.
Sunday Oregonian, "Fool's Gold", Randy Gragg, March 8, 1992, p.C1,4.
Lexington Herald-Leader, (Lexington, KY), "Centre show breathes new life into sculpture", David Minton, November 17, 1991, p.K4.
Palm Beach Daily News, "Fabric sculptures embody past, present", Michael Gaeta, January 13, 1991, p.Al.
Metro Downtowner, (Oklahoma City, OK), Photograph, October 9, 1990, p.2.
Huntsville News, (Photograph), August 25, 1989, p.B-1.
Providence Journal, (Photograph), May 24, 1990.
Journal-Bulletin, "An enjoyable body of work", Bill Van Siclen, May 11, 1990.
Newport This Week, "The figure in all its limited glory and complexity", John Pantalone, April 19, 1990.
Newport This Week, "Sculpting the figure in many ways", (Photograph), April 12, 1990.
New York Times, "Works With Shadings of Pygmalion", Vivien Raynor, January 28, 1990, (N.J. Edition),
Daily News, "Art & Artists; The old-looking inspire a new look", Joan Shepard, January 13, 1990.
Rocky Mountain News, (Denver, CO), "Ancient deities, angels pay mystical visit to Boulder gallery”, Jennifer Heath, November 26, 1989.
Daily Camera, (Boulder, CO) "Sculptor Castanis talks tonight", Laura Caruso, November 16, 1989.
Sunday Camera, (Boulder, CO) "Translucent Revelations", Laura Caruso, November 12, 1989, p.C1,2.
The 13th Street Journal, (Boulder, CO), "Muriel Castanis and 'Sacred Objects'", Jon Friedman, Nov 1989, p.1.
New York Times, "Atop Gramercy, a Tribute to Women" photograph, March 23, 1989, p.CI.
New York Observer, photograph, August 22, 1988, p.4.
7 Days, (Vol.1,No.l0), "New This Week", Robert Atkins, June 1, 1988, p.50.9
New York Observer, "Equitable Building, Craft Museum Show Gimcrackery of Public ‘Art’ ” Hilton Kramer, May 30, 1988, p.1, 12.
New York Times, "Review/Art: The Integration of Art and Public Architecture", Michael Kimmelman, May 27, 1988.
The Daily News, "The Arts Community: Exhibit offers artful architecture", Joan Shepard, May 22, 1988.
Philadelphia Inquirer, "Balancing art and architecture", Thomas Hine, May 22, 1988, p.GI, 6.
The New York Post, "Let There Be Light", Carter B. Horsley, May 19, 1988, p.86.
The New York Times, "Shows Celebrate New York Architecture", Paul Goldberger, May 13, 1988, p.CI.
Gannett Westchester Newspapers, "A link between art and new buildings", Kathie Beals, May 8, 1988.
The Boston Globe, "Simply Grand: Show House '88", Janice Byrd, April 29, 1988.
Art Aurea, "New York: Architectural Art", February 19, 1988.
The New York Times, "Critics' Choices: Art", Gene Thornton, January 10, 1988
Grand Forks Herald, "Exhibition will go on a long tour", January 15, 1988.
The Village Voice, "Choices: Art", Kim Levin, October 27, 1987.
Washington Square News, "Artist Profile: Muriel Castanis", Dorene Lomanto, October 12, 1987, p.5.
The Sunday-Star Ledger, "Art: Greek Myths retain hold on contemporary imagination", Eileen Watkins, June 1, 1986.
The Daily News, "The Arts Community: Clinton artists proving they are city-hallmarks in fight against City Hall", Joan Shepard, December 14, 1985.
San Francisco Examiner, "The Galloping Gamut", Herb Caen, September 30, 1985.
The Post (West Palm Beach, FL) "'Director's Choice Stresses Craftsmanship", Gary Schwan, August 4, 1985, p.E4.
New York Times, "When Today's Artists Raid the Past", Grace Glueck, July 21, 1985, p.29.
New York Times, "A Return to Classicism in Ridgefield", Vivien Raynor, July 14, 1985, p.24.
Southern Connecticut Newspapers, "Contemporary Classics", Philip Eliasoph, June 23, 1985, p.G4.
Gannett Westchester Newspapers, "Classical Studies", Kathie Beals, June 12, 1985, p.BI.
San Francisco Chronicle, "Overview of the Financial District", April 22, 1985.
San Francisco Chronicle, "An Architect's Tumultuous Life", Jerry Carroll, December 17, 1984.
Times Tribune, photograph, "Architecture changing with the times", December 14, 1984, p.DI.
San Francisco Examiner, "Architect's tower of power finds S.F. better these days", Gerald Adams, December 13, 1984.
The Tribune (San Francisco) "Architect touts new S.F. creation", Diana Ketcham, December 12, 1984.
New York Times, “Art: The Sculpture of the New York School”, Grace Glueck, December 7, 1984.
San Francisco Examiner, photograph: "Look up in the sky", December 2, 1984.
San Francisco Examiner, "Philip Johnson's mark on the local cityscape", Gerald Adams, March 13, 1984.
Pittsburgh Post-Gazette, "Post-modern artist recasts classic form", Donald Miller, February 22, 1984.
Village Voice, "Top Forms", Kim Levin, May 24, 1983.
San Francisco Examiner, "Ghostly figures top Johnson's new San Francisco tower"; "Sculptor calls robed figures
'uplifting'", Gerald Adams, January 7, 1983.
Sunday Newark Star Ledger, "A 'haunting' sculpture exhibit", Eileen Watkins, April 4, 1982.
New York Times, "Weekend", Grace Glueck, August 7, 1981.
Village Voice, "Outside Chances", Judith Wilson, July 8, 1981.
Village Voice, "An Opinionated Survey of the Week's Events", Guy Trebay, June 24-30, 1981.
New York Times, "Artist's Inspiration Began with the Fresh Air Fund", Edith Evans Asbury, June 21, 1981.
New York Times, "Sculpture and Site Blend at Wave Hill", John CaIdwell, June 14, 1981.
SoHo Weekly News, "All the World's a Stage", William Zimmer, June 10, 1981.
Riverdale Press, "Review", May 14, 1981.
Art Week, Lynn R. Rigberg, March 21, 1981.
Phoenix Gazette, "Marquee", Marlan Miller, March 21, 1981.
Arizona Republic, "Arts/Leisure", Ed Montini, March 8, 1981.
New York Times, Vivien Raynor, October 24, 1980
Show Business, Genan Tardu, May 12, 1977.10
Milwaukee Sentinel, Dean Jensen, July 19, 1976.
Milwaukee Journal, James Auer, July 1976.
Village Voice, David Bourdon, October 13, 1975.
New York Post, Emily Genauer, December 28, 1974.
Village Voice, David Bourdon, December 9, 1974.
SoHo Weekly News, John Gruen, November 28, 1974.
Village Voice, "Scenes", Howard Smith, March 22, 1973.
New York Times, "Art Notes", Grace Glueck, February 13, 1972.
Village Voice, "Bathroom Tableau", Fred McDarrah, 1972.
Village Voice, "Scenes", Sally Helgeson, October 7, 1971.
Village Voice, "Speak Out the Arts", Muriel Castanis, March 19, 1970.
Houston Chronicle, Ann Holmes, March 30, 1969.
Television/Radio Coverage:
6/27/88 Performance Today, WNYC Radio, New York, Interviewer: Karen Mitchell McPherson
5/13/88 Performance Today, WNET Radio, New York, Interviewer: Karen Mitchell McPherson.
1985 Evening News - 11:00, "Lift Off of Statues", KCBS-T.V., San Francisco, CA
5/24/82 Visual exhibit as analogv to works of Graham Greene and James Joyce, CBS Cable T.V.; also aired on 6/15/82.
5/23/84 Evening Magazine, (7:30 p.m.)"View from the Top", San Francisco, CA
12/01/84 Local Evening News, KGO-T.V., San Francisco, CA
8/11/77 Need & Function of Artists Support Groups, (9 p.m.) WBAI Radio, New York, NY
5/16/75 A.M., "Fat Dance Performance", ABC-T.V.
3/04/73 Coverage of College Art Association: Speaker, WBAI Radio, New York, NY
Performances:
1989 Jane Franklin and Dancers, Boulder Art Center, Boulder, CO; December 9, 1989; (works amid Castanis's sculptures)
1978 Echo Ranch, Project Studios 1, Institute for Art and Urban Resources, New York, NY; April.
1978 Living Painting, New School for Social Research, New York, NY
1978 Living Space Painting, The School of Visual Arts, New York, NY; April 4.
1977 A Christmas Presence, 112 Greene Street Workshop, New York, NY; December 24-31.
1977 An Actress (From Iowa), Theatre Experiments in SoHo Festival 1, The Open Space in SoHo, New
York, NY; Technical Assistant: Muriel Castanis; November 3-27.
1977 A Portrait of Gertrude Stein:anybody who was doing anybody anything, author/director: Connie
Nicholson; Cubiculo Theatre, New York, NY; July 1,2
1977 Fish Joy, White Mask Theatre, New York, NY; set design: Muriel Castanis; May
1977 Venez dans mon Boudoir: Part 2, Environ Theatre, New York, NY; February
1977 Echo Ranch, 112 Greene Street Workshop, New York, NY; February 14, 15.
1975 Fat Dance, White Mask Theatre, New York, NY
1974 Venez dans mon Boudoir: Part 1, 147 Spring Street, New York, NY; December
1973 Artvance: Ventrilo-quest, Loeb Student Center Auditorium, New York University, New York, NY
1972 Fat Dance, Womens Interart Center, New York, NY11